The Project Gutenberg eBook, A Treatise on the Brewing of Beer, by E.
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: A Treatise on the Brewing of Beer
Author: E. Hughes
Release Date: March 17, 2011 [eBook #35597]
Character set encoding: ISO-646-US (US-ASCII)
***START OF THE PROJECT GUTENBERG EBOOK A TREATISE ON THE BREWING OF
E-text prepared by the Online Distributed Proofreading Team
A TREATISE ON THE
BREWING OF BEER,
_A Saving of Twenty per Cent._
BREWING OF BEER,
WHEREIN IS PROVED
That one Bushel of Malt will produce a Gallon of Beer
more than another Bushel of an equal Strength, although
both Malts be made of one Sort or Species of Barley.
In this work will be found some profitable and necessary
directions to Maltsters.
Improvements in the Brew-house, and
Showing the cause what makes hard and sour Beer.
Directions for preventing Beer from becoming sour or foxed,
even if used in the warmest Season.
Directions in what State to cleanse the Beer, so as to have
it fine without using any art or device whatsoever; and
for the Management of the Beer in the Cellar.
Some Observations in the Choice of HOPS;
Proving that they are useful after they have been used in
_The different Experiments are from Twenty Years Practice._
By E. HUGHES.
--> Some very useful and necessary directions to the Publican who
retails Common Brewer's Beer.
PRINTED FOR THE AUTHOR, AND SOLD BY T. LAKE.
SOLD ALSO BY E. NEWBERY, ST. PAUL'S CHURCH YARD,
AND ALL BOOKSELLERS IN TOWN OR COUNTRY.
The first edition of this treatise met with encouragement enough to
flatter me that I had left no room to improve it: but, encouraged by
the satisfaction my friends was pleased to express of its utility to
the public, I have been induced to make every improvement I could
Before I presumed to offer this small treatise to the public, the
different modes and methods, here recommended, I have proved by
different experiments, which I flatter myself will be found of utility,
particularly to private families, especially farmers, because their
servants have very little knowlege of brewing, their time being so much
employed in other business, and so frequently are they changing their
employ that they are rendered incapable of being competent in brewing.
I do not presume to dictate to those who are proficients; but it must
be acknowleged that good malt is frequently marred in brewing by
persons who have very little or no knowlege of brewing, and I flatter
myself that by a perusal of this treatise it will enable them to be
more competent in making the best of the malt intrusted to their care,
to the greater satisfaction and benefit of their employers.
Waters having a great predominance in brewing, I have given directions
in the choice and improvement of them.
The improvements in the brewing utensils will be attended with some
expence, but the utility arising therefrom will soon make amends.
I have taken the liberty to admonish the retailer of common brewer's
beer, because, from their inattention in managing the beer after it
comes into their stock or possession, the blame, if any, is imputed to
the brewer but I am fully convinced to the contrary, from the almost
daily practice of the common brewer, and their malt being of the first
quality, as country brewers generally make their own malt, and that
from the best barley, together with the conveniency of their utensils,
enables them to have the advantage of most private families that brew
their own beer; therefore it principally depends on the conduct of the
publican as to the quality of the beer, after it comes into his stock,
I have taken the liberty to give some directions in the choice of malt,
not that I mean to challenge the maltster, or give him directions in
the management of his corn, except in the drying. I presume if malt is
not attended to on the kiln and perfectly sound dried, it never will
produce good and wholesome beer.
Sep. 3, 1796.
Waters differ in their quality, that is to say, in extracting the
goodness from the Malt; it is, therefore, very necessary for every one
who professes the brewing of Beer, to be well acquainted with the
nature and quality of the Water he brews with; for as the quality of
the water is, so depends the brewing of beer. I am fully persuaded that
waters so differ in quality, they will very much add or diminish the
quantity and quality of the beer.
Well Waters ought not to be used only in cases of necessity, when
waters of a softer quality cannot be procured: the well water should be
pumped into tubs, or any convenient vessel that is clean and sweet. It
is a custom with many to fill the copper a day or two, and sometimes
longer, before they begin the operation of brewing, but this I strongly
forbid; for a liquid cannot be too short a time in the copper, except
it is in a boiling state; my reasons for this I shall point out in
another part of this treatise. I would recommend fresh bran to be put
into the well water whilst in the tubs, and now and then give it a
stir, this will cause a sort of fermentation, and will likewise soften
The time for keeping water in the tubs must depend upon the season of
the year: if in winter, or moderate cool weather, a week will not be
too long; but if in summer, two days will be sufficient.
Spring or River Water is far preferable to Well Water, but river or
spring waters differ very much in their softness, and that which will
lather best with soap is a convincing proof, and is to be prefered for
First,--It will leave the grains dryer than well water of a harsher
Secondly,--The beer will come to a quicker fermentation in the tun;
Thirdly,--It will also fine itself much sooner in the cask, than if
brewed from well water.
Rain Water, such as runs off tiled roofs, is, undoubtedly, to be
prefered before well or river water in brewing, being of a simple and
There is one very great object to the interest of the brewer;--Beer,
brewed with rain or river water, will be stronger than beer brewed with
well water from an equal quantity of Malt, because it will have a freer
access to the Malt; and, as I said before, it will leave the grains
much dryer than well water, which is convincing, the dryer the grains
are, the better will be the beer.
Many persons very much prefer Pond Waters, such that are frequently
disturbed by horses and other cattle, which generally causes it to be
in a thick muddy state; but the sediments of this thick muddy water
must be found prejudicial; for when the wort is emptied out of the
cooling tubs into the working tun, or running from the coolers into the
tun, a part of the sediment, from the foulness of the water, will
follow the wort into the tun, consequently the yeast will be in a foul
state and cannot be of that utility in baking, as though the brewing
had been from pure clean water.
There is a great difficulty often happens in making beer come to a
fermentation in the tun; this, I verily believe, is principally owing
to the hardness of the water it is brewed with.
_Some Observations on the Grinding of Malt._
Much depends on the grinding of Malt. Many people give directions to
have their malt ground small, having an idea that the water will mix
itself with, and have a more free access to it, than when ground in a
more coarser state; but this idea is very erroneous. Malt should be
only broke in the Mill, that is, if possible, every corn should be only
bruised; malt ground in this manner will discharge the wort in a fine
state throughout the whole brewing.
I have known many persons neglect giving orders for their malt till the
day before they intend to brew; but malt should be ground four or five
days, or a week would not be too long for brown malt, but great care
must be taken to keep it in a dry place.
Malt, ground a reasonable time before it is used, loses the heat which
it receives in grinding, and reduces it to a soft and mellow state; it
will receive the water more freely, and a greater quantity of wort may
be made than if it was brewed immediately after it was ground. The beer
will also work much better in the tun and in less time become fit for
use than if brewed as soon as it comes from the mill. This is proved by
good housekeepers, who have their wheat ground two or three days before
they use it; for by losing the heat it receives from the mill in
grinding, the flour will be lighter, and receive the yeast and water
more freely, than if used immediately from the mill.
Brewing is generally left to the care of servants, particularly in farm
houses, who frequently have at the same time other business to perform,
which too frequently causes the brewing to be neglected, particularly
in its first stage. The mash in this first stage determines the whole
of the brewing, for the malt ought to be well mixed up with the water,
which will cause some time and labour; therefore the person employed in
brewing should not, on that day, have any other business to perform, so
as to engross any time or attention from the brewing, for any part
neglected may mar the whole, which is too frequently the case.
_Improvements in the Mash Tun._
Mash Tuns should have false bottoms, to take up as occasion may
require;--they should be about two inches clear of the fixed bottom,
with holes therein, about a sixth part of an inch in diameter. The
false bottom answers two good purposes;
First,--You may be more expeditious in mashing, by having a free access
to all parts of the mash tun, which, with a tap vase or some such like
instrument being in the mash tun, will impede the stirring of the mash,
therefore some part of the malt will not be mixed with the water.
Secondly,--The false bottom will drain the grains dryer than the tap
vase, and in the fixed bottom there will be a sediment left, which,
with one bottom only, would have passed through the tap vase, and a
part of it accompanied the wort down into the tun. This will answer
another good purpose; for the sediment not accompanying the wort into
the copper, it will want less boiling, as it will break sooner and fine
_Note._ Where the false bottom is used the tap must spend
through a cock at the bottom of the tun. The holes in the false
bottom may be about three or four inches distance from each other.
Fail not to boil your water six or eight minutes, then let it into the
mash tun; if time will permit, do not put your malt in for mashing till
the steam has escaped and you can see your face in the water; but if
time will not admit of this, add about one gallon of cold water to
eighteen gallons of hot. Whilst you put your malt into the tun, let a
person stir it to prevent its clotting, then well mash it, and let the
mash stand two hours at least. The second mash need not stand so long
as the first. If convenient, always make use of hot water for your
small beer, for by boiling the water a few minutes it will soften it,
and will cause it to have a more free access to the malt, and the wort
will require less boiling.
_Boiling of the Worts._
Many brewers boil their worts from one to two hours; this is very much
practised in private families;--a great part of the time the wort is in
a simmering state the fire perhaps is not attended to, the person who
has the care of the brewing is, as I said before, frequently employed
in some other business, therefore this very material part is neglected:
As soon as the wort is in the copper it should be made to boil as quick
as possible, and a brisk fire should be kept under the copper to cause
the wort to boil as fast as possible, for fast boiling will cause the
wort to break and fine itself much sooner than it would if kept in a
slow boiling state. Thirty or forty minutes will be sufficient to boil
ale, and one hour if strong beer. This quick boiling will cause a
saving of one gallon in twenty, at least, which must be acknowleged a
_great advantage_, considering the present high price of malt.
I will presume to say there will be a saving in the wood or coal by
boiling the wort, as is commonly said, a gallop, when it rises itself
considerably above the copper.
The copper should have a curve made of wood, fixed round the brim, to
prevent the wort from being spilt when boiling; or the copper should be
so hung, with a sheet of lead fixed round the brim in a sloping
position, that when the wort is hastily boiling, it would fall on the
lead and immediately return into the copper, therefore it would prevent
the wort from wasting or boiling over.
_Cooling of the Worts._
As soon as the wort is out of the copper the next thing is to get the
heat out as soon as possible, and to get it in a state for
fermentation. Most private brewers, and many victuallers, separate
their worts into tubs, bowls, pans, &c. for cooling; I have seen wort
in no less than twelve or sixteen different utensils; worts being of a
sticky quality, it must be acknowleged that a loss is sustained by
having the wort in so many utensils, and also very inconvenient to pour
the wort from the tubs and pans into the working tun; for in each of
the before mentioned utensils will be a sediment, which too frequently
follows the wort into the working tun.
Now to prevent the use of all these small utensils, a brew-house,
though ever so small, will admit of two coolers being erected; for two
coolers will take up nearly the same room in the brew-house as if only
one were to be erected; for one cooler should be nearly underneath the
other, so that the second cooler may receive the wort from the first.
Care must be taken in fixing the coolers, so as to admit the working
tun underneath the coolers, to receive the wort: but this need not be
consulted where there is a conveniency to convey the worts and work
them in the cellar.
_Note._ A victualler is compelled by law not to alter the
position of his coolers without giving notice to the excise
officer;--now private families have the advantage,--they may have
their coolers fixed in the brew-house, or to lay on trestles, and
move them to any part, as occasion may require.
The size of the coolers must so correspond with the quantity of malt
brewed, that in warm weather the worts do not exceed two inches in
depth in the coolers; for in summer brewing the heat cannot too soon
escape from the worts; and this is the evil--not having a conveniency
to separate the worts in a thin state, the brewer has not been able to
get the heat out,--he has let the wort down into the working tun in a
warm state, which has often brought on the fox, in a short time became
sour, and rendered unfit for drinking.
The reader will observe that brewing in warm weather ought to be
avoided as much as possible; for the coolers or tubs in warm weather
being in a very dry state, and the worts being a long time cooling,
that, at least, one gallon in forty will exhaust itself.
I shall point out one more improvement for cooling the worts more
expeditiously: In many brew-houses there is no conveniency, when the
worts come out of the copper, for the steam to escape out of the
brew-house, but will continue for a time in a thick cloudy state, to
the great detriment of the worts:--to remedy this, I would recommend
flap shutters to be erected in as many parts of the brew-house as
convenient, and the building will admit; the flap shutters will permit
the steam to escape and very rapidly cool the worts. These shutters are
as convenient in the winter, or when the weather is moderately cool,
for they are so contrived that you may set them to what centre you
From these improvements the brewing will be more expeditiously
performed, as the worts will, of course, from this conveniency, much
sooner make way for the small beer, and totally prevent its being left
in the copper all night, which is too often practised, to the injury of
those who drink it, as it will not be fine, but remain in a thick wey
colour, which is owing to its being in the copper too long, and not
being kept in a boiling state; for if a copper has been in use twenty
years it will at times shew symtoms of the verdigrease, which is a
sufficient voucher that the wort cannot be too short a time in the
copper, except when boiling.
Coolers will last many years without repairing; when, on the contrary,
cooling tubs, &c. are frequently out of repair, and are as lumber,
being of little or no use, except when used in brewing.
From the before mentioned improvements you will always finish your
brewing before a late hour at night, which will enable you to pay the
more attention to the worts in the tuns, &c.
Care should be taken to keep the brewing utensils as clean and as sweet
as those used in a dairy; for without cleanliness it is impossible to
have your beer in a good and wholesome state.
The copper should be cleaned after each brewing, as it will keep it
bright; when it is used but seldom, and in wet or damp weather, the
verdigrease will appear, but care should be taken to examine and clean
it, previous to the warier's being put in for brewing.
It often happens, where the mash tun is not used for a working tun, the
grains are left in the mash tun till the next morning, they will then
be in a sour state; therefore the tun should be scalded before the next
brewing. If in very warm weather, some quick lime, that is, lime not
slacked, will be necessary, by adding some water to dissolve it to the
same consistence as used for a white-wash; then with a mop or brush wet
the tun with the lime like unto white-washing; after the lime has been
on about a day it may be washed off.
Much care should be taken to keep the coolers and working tuns in a
clean state, by frequently scalding; it will be necessary in warm
weather to lime the coolers and working tuns;--this is an excellent
remedy where the coolers and tuns are tinged with the fox, as also a
preventative against that fulsome complaint. Experience will inform you
that the use of lime is excellent in cleaning the utensils.
When you soak the coolers, &c. previous to brewing, add some lime to
the water, as it will search and purge the joints of the coolers and
tubs, by cleaning them from disagreeable smells.
Particular attention should be paid to the cooling of the worts, by
having coolers as before mentioned. You may let your worts down into
the tun as quick or as slow as you please and as the season may
require; in very cold weather it should go down into the tun from the
cooler by a good stream, as the worts require to go down into the tun
in a warm state, particularly when there is but a small quantity
brewed. In summer brewing your worts will require to go down into the
tun in a cold state; however it will be much the best for them to be
cold than too warm, therefore you should set the cock or plug to
discharge the worts from the coolers into the tun but slow and
dribbling; for by going down slowly it will prevent a hasty
fermentation, and consequently will have the good effect to prevent
your tun of beer from being foxed; therefore it must be allowed to be
convenient and necessary to have coolers erected, as the worts will go
down into the tun in almost one regular degree of heat.
On the contrary, when worts are cooled in tubs, pans, &c. they are
emptied into the working tun in different degrees of heat, one after
another; perhaps in some of these cooling tubs or pans the worts are
two or three inches in depth; in others, six or seven inches; therefore
the worts will be of different degrees of heat, and by having part of
the worts let down into the tun much warmer than those already down,
and which, perhaps, are in a fermentation, those worts will, of course,
cause a fermentation too hastily,--will frequently cause the tun of
beer to be foxed, and will always be in a heavy state, for the yeast
will not separate itself from the beer; this renders the coolers more
necessary and convenient.
_Attending the Working Tun._
Attention should be paid to the beer when in the tun. It is a custom
with many brewers to put their yeast for that brewing into the tun at
one time: I will prove that practice to be very erroneous; for by
adding the quantity of yeast you intend to use at one time, may cause a
fermentation too hastily, and then you have no remedy. You should feed
your tun with yeast by adding a little at a time, as occasion may
require, for by so doing you will always be master of your tun of beer,
by having it in what state of fermentation you please; as the quality
of malt and waters differ, it will require more or less yeast to
ferment it, and by adding the yeast at different times you will be
enabled to form such a judgment as never to over-yeast your tun. Every
time you add more yeast you should stir your beer with a bowl or
It is a practice with many people to keep their beer in the tun from
four to six days; by that time the yeast will fall to the bottom of the
tun, and the beer will be in a flat, dead state; it will always be
_heady_ beer, being kept so long before it is cleansed; it will not be
inclined to work in the casks, nor will it drink with a pleasant,
lively taste. There is no coming at any exact time, with respect to
hours, when your beer will be ready to cleanse, therefore this must be
done by attention, in frequently examining when your beer is at its
full head of working, or what is commonly said, rather inclined to go
back; when it is in that state it should be cleansed immediately. This,
I say, should be attended to, notwithstanding it should happen at
twelve o'clock at night; for this is the evil, by neglecting the proper
time to cleanse your beer it will not be able to fine itself in the
casks, and then some device must be used to fine it, which is too often
injurious to the beer.
_A very necessary Caution._
It is a common practice, when casks are scalded or cleansed, to expose
them to the sun and wind to dry, and there leave them till the time of
cleansing, then they are placed in the cellar, &c. and the beer
immediately cleansed into them; when the sun, in warm weather, has
penetrated through the wood and become so warm that you cannot
conveniently lay your hand upon them; this is often done unthinkingly,
but the casks being thus heated by the sun causes the beer to work too
hastily; after all the care and pains before taken, it here receives a
material injury, by having, as may be said, undergone a second
fermentation, and will reduce its strength by working too hastily out
of the casks, and very probably may be the cause of its not being soft
and pleasant; however, care should be taken to get your casks perfectly
dry, previous to the cleansing into them; in hot weather place them in
the cellar, &c. some time before you have occasion to cleanse your beer
Attention should be paid in keeping your casks filled up after
cleansing, to enable the yeast to discharge itself from the beer, for
by so doing there will be the greater probability of your beer being
fine; if the casks are not kept filled up when working, the yeast
cannot discharge itself from the beer, which, in change of weather,
will be purging and hissing in the casks, and will cause it to be harsh
and unpleasant; this is the principal cause why we have so many muddy
ales. Attending your beer when working, by filling up the casks, will
be found to be of the greatest utility, as you will have no occasion to
use any device to fine your beer, which will only attend to
As I said before, small beer is too frequently neglected, because the
master or mistress of a family drink but a small quantity of it. I
verily believe there would be less _good_ small beer consumed in a
family of servants and workmen, than if it were inferior and bad in its
quality. It may be thought strange by adding the name of _good_ to
small beer, but it must be acknowleged that there is a great disparity
in the quality of ales, and why not in small beer; on the one hand, it
certainly depends on what length you draw from quantity of malt.
Small beer should be let down into the tun much warmer than ale; and as
soon as it shews an inclination to work it should be cleansed; it will
then work well in the casks, and will have a quick, lively taste. Small
beer, not having a sufficient strength, cannot support a long
fermentation in the tun: for if it is worked cold, and left too long in
the tun, it will drink flat and unpleasant.
Now, as I said before, there will be no more _good_ small beer consumed
in a family, than if it were ever so _bad_; for when a workman or
servant has occasion for a pot of small beer, if bad, he will, perhaps,
drink a part of it, and throw the remainder away, and, very likely,
carelessly leave the cock dropping, in order to get rid of such a bad
commodity the sooner. Now, on the other hand, if the small beer was
_good_, the consumers would take care to leave the cock, &c. secure,
well knowing they should not have a better substitute.
_Cleanliness in the Cellar._
Care should be taken to keep the cellar clean, (especially those who
are situated near the south aspect; or shallow, where the sun has any
power,) by scraping the yeast from the bung-holes of the casks; else in
warm weather it will smell offensive, and insects will breed therein,
which must be injurious to the beer, if the bung-holes are open.
The dropping of the cock, tap tubs, &c. will cause fulsome smells in
the cellar, which frequently require to be washed down; for washing and
cleaning your cellar often, will keep your beer in a cool state, and
will be the means of preventing mild ale from becoming stale.
Put some hops into your ale and small beer casks a few days before you
want to tap them for use; even those hops that have already been used
in brewing will be found serviceable in fining your beer, and will not
cause it to be too bitter, but will prevent your small beer from
becoming sour. Notwithstanding their being used in brewing, they will
be found by experience to be very serviceable for the purpose before
mentioned. Another advantage will arise, they will serve the use of
fresh hops, which, when dear, will be found to be a considerable saving.
_Note._ They are recommended for beer that is for present
drinking, as they cannot be expected to be sufficient for beer
intended for a long standing.
Another advantage will be found when a length of ale is brewed, and no
small beer made, the hops will then be found of greater utility, as
they will contain the same quality as the ale they were brewed with;
consequently the ale and small beer they are put into will receive a
greater advantage therefrom.
This may not seem consistent, as mild ales and small beer seldom have
any hops put into the casks; but when a cask of beer is a considerable
time at tap, it will certainly want something to feed on; this is one
cause why small beer generally turns sour when it is nearly out; now by
using the before mentioned hops it will be found to be a considerable
remedy to prevent both mild ales and small beer from being hard and
The reader will observe, these hops having performed their duty, they
are of no expense, only the trouble of putting them into the casks. The
small beer must derive a considerable advantage from those hops when a
guile of ale was only brewed from them. Take care to put them into the
casks as soon as they are cold, for by being too long exposed to the
air they will lose their virtue.
I should not have said so much concerning small beer, but the price of
malt is so considerably advanced, to what it was formerly, that small
beer is become an expensive article, where there is a numerous family.
If you observe the before mentioned directions you will not have your
small beer so unpleasant, particularly when your cask is nearly out.
The most wholesome small beer is made from an intire guile of small,
for then you have the whole of the spirit and sweetness of the malt; it
will keep better and drink much fresher than if it were to be made from
the goods after a length of ale.
If you rack your beer, fail not to put some hops into the casks,
wetting them first with some of the same beer, or rather wet the hops
with some wort when brewing. If you want to hasten your beer for
drinking, put the hops into the casks when they are warm; if your beer
is for a long standing, put the hops in your casks when they are cold,
giving them a stir to separate them in the beer.
Take care not to be under the necessity of tapping your ale or small
beer before it has actually done working, for by so doing you will
prevent it from becoming fine: new beer may be classed with new bread;
for the newer you draw your beer the more there will be consumed; new
beer is not so satisfying as it is when come to a more mature age.
Beware, lest you forget to pay attention to your beer which is at tap;
for, "as the eye of the master maketh his horse fat," so the head of a
family, now and then giving a look into his cellar, may be the cause of
beer drinking more agreeable to his palate, by taking care the
vent-holes are kept closely stopped, and the cocks secure.
Do not fail to stoop your cask when the beer is about two parts in
three out; this should be done whilst the tap is spending, for then you
will not disturb the sediment. By stooping the cask when the beer is
about two parts in three out will prevent it from becoming flat and
sour; when, on the other hand, it is too frequently to be observed when
a person is drawing a pot of beer, the stream is impeded; for the beer,
being so nearly out, will not run till it is stooped. Now before this,
the cock discharging the beer but slowly, the air is admitted into the
cask, which causes the beer to drink flat, and, perhaps, turn sour:
therefore this will enforce the necessity of stooping your cask before
it be so nearly out.
This is a fault with many publicans, not paying attention to their
cellars; even many of those who brew their own beer are neglectful,
notwithstanding their own interest and credit is concerned. Tis not
uncommon for the vent-peg, and even the bung, to be left out of those
casks which are actually on draught.
Publicans, who retail common brewer's beer, and neglect their cellars,
have this excuse, if their customers find fault with the beer, by
saying "tis such beer as my brewer sends me," so it may be; but let a
publican be served with beer of the first quality, it entirely depends
on the management of the retailer thereof, whether the beer shall be of
a good or bad quality. This is proved by persons in the same town, each
being served with beer from one and the same brew-house; there will be
generally a disparity in the quality after it comes into the stock of
the respective retailers thereof, which proves it to be the good or bad
management in the cellar.
I am convinced I shall not offend the _attentive_ publican by what I
have said respecting the cellar; but should this fall into the hands of
the _inattentive_, it may offend; but that I will excuse, if, by the
reading of this, he should be convinced of his error, and pay more
attention to his cellar; that he may be enabled to draw a pot of beer
to please those useful and valuable men, the labourer and the mechanic;
and where they used to drink but one pot of beer with him, they may,
from finding his ale much better than usual, perhaps, drink two.
_On the drying and qualities of Malt._
I shall here give a few observations on malt, which was my principal
reason for introducing this work to the public, well knowing that many
who profess the art of brewing have very little knowlege of the nature
and quality of the malt and hops they brew with.
Malt is dried with coke, coal, wood, furze, and straw. The best and
sweetest malt is dried with coke, or welch coal; because the coke, or
coal, gives a regular and gradual heat. Malt dried with coke, or coal,
will be of a bright, clean colour, because the fire is free from smoak.
It is also to be observed that malt dried with coal, or coke, is
generally well cured, that is, sound dried, because the coke or coal
fire is fierce and strong.
If malt is dried with a wood fire it greatly depends on the wood being
housed in a dry season; for if the wood is dry it will produce a clear
fire, free from smoak, and the malt will be of a bright colour; but if
the wood is wet and sugged, the fire will not be fierce, but will be
smoaky, and will certainly cause the malt to be of a dull colour; and
the beer brewed from such malt will consequently have a smoaky taste:
therefore it depends on the attention of the maltster, in housing his
wood in good order, for without that attention he cannot serve his
customers with good, bright, well cured malt.
I have seen very fine malt dried with straw, it being less subject to
smoak than malt dried with wood; but this mode of drying is very
tedious, because a person must always attend the fire. In those
countries where it is straw-dried, wood and coal is dear, therefore
straw is used as a substitute for coal, &c. However, if care be taken,
malt may be well cured with a straw or wood fire, but not to equal
welch coal, or coke, because the fire may always be kept up so as to
produce a regular heat.
Fuel being much dearer than formerly many maltsters are too sparing of
their fire; and here arises the principal cause why we have so much bad
beer; for if malt is not well cured, that is, sound dried, it will not
produce good and wholesome beer.
Malt may appear to be of a fine amber colour, and this may be done by
making a strong fire a few minutes before the kiln is shifted,
therefore the colour is not at all times a rule for its being well
dried. No malt should be used till it has been off the kiln a month, at
least; at the end of that time, if the malt bites quick and crisp, you
may conclude it is well dried.
It will be very necessary when you give orders for a brewing of malt,
to request your maltster to send the malt well dried; this caution may
induce him to pay more attention in the drying of his malt.
When a brewing of malt is ordered by private families, perhaps no order
is given respecting any particular sort, that is to say, whether pale,
amber, or brown, for these are the three sorts of malt; but many retail
maltsters in the country have but one sort of malt, and, in fact, one
sort is sufficient, provided care is taken to dry their malt sound, of
a fine amber colour.
Now I again repeat that the principal reason of our having so much hard
and sour beer, is owing to the malt being under dried; for malt is the
fundamental article in brewing. If a guile of beer is made from under
dried malt it will not be of a fine bright colour, and an extra boiling
of the worts will not have the desired effect: then you are under the
necessity of using finings and other nostrums, which are only
temporary, for no other ingredients whatever can be so beneficial to
beer as malt and hops, and if those two commodities are in a good and
genuine state, you will not have occasion to seek for any other art or
device whatever. Another considerable advantage will arise, for each
bushel of sound dried malt will produce a gallon of wort more than
slack or under dried malt; this is proved by brewing two sorts of malt,
that is, malt perfectly dried will discharge the wort freely, and the
grains will be dry and light; when, on the other hand, if a brewing of
beer is made from under dried malt, the grains will be clammy and
heavy, owing to the raw state of the malt, therefore a part of the wort
cannot discharge itself, which is a sufficient voucher that the
perfectly dried malt will produce a greater quantity of wort of an
equal degree of strength.
I hinted before that malt should not be brewed till it has been off the
kiln a month; but if malt is six or seven months old it will be the
better, because it will become mellow, and your beer will be much
softer and better than if used immediately from the kiln.
Between michaelmas and christmas the retail maltster's stock of old
malt generally lays in a small compass, and will be slack; I should at
this season recommend part old and part new, for the one will help the
Many professed brewers are particularly attached to the colour of the
hops, that is, they are partial to those of a fine green colour; these
are certainly to be prefered, if they were ripe when gathered:--to
prove their goodness, rub them between your fingers, if they are in
full condition they will stick to your fingers, will have a good strong
scent, and the seeds will appear full and yellow.
Brown spots are frequently to be seen on hops; these are, in general,
hops that came to a full ripeness before they were gathered. High winds
and rain frequently happen about the middle or latter end of the hop
season, which will disfigure them in their colour in a few hours, so
that the colour is not at all times to direct you as to their goodness.
In the hop countries most hop-planters keep those hops which are most
disfigured in their quality, separate and apart, when picking, from
those of a brighter colour; those which are of an inferior colour are
kept for their own use, and disposed of to their neighbours, it being
their opinion that they answer the purpose in brewing nearly as well as
those of a brighter colour, provided they are in full condition, that
is, if they are full of seeds; for in the seeds is the virtue and
strength of the hop.
The quantity of hops used in brewing is generally half a pound to a
bushel of malt, and so in proportion to a greater quantity; if mild
ale, for present drinking, a lesser quantity will do; but this must be
left to the discretion of the brewer, or master of a family, as some
are more partial to the taste of the hop than others.
Hops are found to be of such excellent utility in the bittering of
beer, that common brewers and innkeepers are forbidden by law to use
any other bitter ingredient whatever in brewing of beer and ale. I have
taken the liberty to insert this as a caution to the unwary.
As to the quantity of beer each bushel of malt should produce, it must
rest on the option or circumstances of the brewer, or the head of a
family. A bushel of malt will produce ten gallons of good ale; but the
greater the quantity of malt, brewed at one time, the better will be
***END OF THE PROJECT GUTENBERG EBOOK A TREATISE ON THE BREWING OF BEER***
******* This file should be named 35597.txt or 35597.zip *******
This and all associated files of various formats will be found in:
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf.
Section 3. Information about the Project Gutenberg Literary Archive
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
firstname.lastname@example.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://www.gutenberg.org/about/contact
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://www.gutenberg.org/fundraising/donate
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:
Section 5. General Information About Project Gutenberg-tm electronic
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.